Sequin Arts: The Flagmakers of Haiti

Event Description

The Tampa Museum of Art acquired its first drapo Vodou, or Vodou flag, over twenty-five years ago. Myrlande Constant’s flag Papa Zaka/St. Isidore was gifted to the collection by notable Haitian art collectors Kay and Roderick Heller. An early work by Constant, the flag reflects the customary size and imagery associated with this most beloved tradition of Haiti’s sacred arts. At the center of the composition is a depiction of a lwa, or deity, from the Vodou pantheon and a geometric border frames the image. Over time, Constant’s flags have increased in scale and visual complexity. Constant’s work represents a different approach to flagmaking—notably she is one the few women working in a medium traditionally associated with Vodou priests and male artisans. For the past 30 years, she has pushed the boundaries of the medium with her approach to color, light, and pattern. Today, Constant is celebrated as one of Haiti’s most accomplished contemporary artists and her art is exhibited across the world.

Born in Port-au-Prince, Constant was raised by her mother Jane Constant, a seamstress. In her teens, she worked with her mother in one of Haiti’s textile factories that made wedding dresses for brides in the US and Europe. Poor conditions and minimal wages caused her to quit, and she pursued the craft of flagmaking. Although she is versed in Vodou practices, Constant views her art in relation to textiles and painting, rather than as ritual flags. Distinct from her male contemporaries, Constant’s flags incorporate the tambour stitch, a technique she learned at the textile factory that allows her to create different textures and depth with sequins and beads. She also works in reverse—after drawing the image on cloth attached to supports, Constant and her assistants sew each bead from the underside and out of their view. The final picture is revealed once the cloth is turned over for inspection.